I’ve a newfound respect for the bassline of a song. In the past, my bass consisted mainly of slapping on a low-pitched sign wave, maybe with a little distortion I didn’t know what to do with.
The result was a sound that gave some body and depth to what I was producing, but little substance otherwise. For anyone playing off laptop speakers, it was basically invisible.
Lately though, I’ve started to play with how to make the bass – and every track in my songs – more audible, no matter what kind of interface the listener is using. Basically, how to make some part of each track ‘poke out’, like an iceberg.
Continue reading “Control Your Volume!”