A Hard Day

Today, everything hurts.

There are days, when so many things go wrong at once, it starts to feel like this is it: I’ve used up all my chances over the years, and now it’s crap-city from here on out.

On these days, the brain doesn’t work properly. It’s important to remember that – it’s the thing that helps you perceive reality, after all.

When we feel bad, really bad, the whole world can seem to become infected with that badness, so you have to dig to find the brighter parts.

It starts with general frustration, as you try and keep up with the demands of others (and more so, your own conscious/ unconscious demands), then grows into a kind of raging against the world, your circumstances, the people around you, anything that helps you pretend you have some control over what you are experiencing.

And then eventually, it gives way to some kind of despair, or perhaps a sad acceptance, that this is how things are going to be for a while. 

Some days, you just know you aren’t going to be at your best. This isn’t foreshadowing: The evidence is constant, and ongoing. The realization happens midday, not when you open your eyes in the morning.

And when that day comes, you can do just ONE thing right, for sure – you stay on the job to the end. You finish your shift, or the project, or whatever it is that stands in your way.

Because this is what you do now. If you’re reading this, you’re probably a musician, or a composer, or at least some kind of artist. That means you’ve found something rare, something that makes you happier than anything else.

So, if you aren’t going to do this, what else?

I did hit a slight turning point, when I realized there were, in the end, only one or two things that, had they been different, would have made the difference between a hard day and a good one.

For example, if my brain hadn’t felt like molasses, I would have felt on top of my barista shift, instead of missing orders and feeling I was always behind.

Or, if I’d known a little more about certain aspects of opening for the day, I might have finished that work more quickly, thus allowing me to be more ready for the first customers. Which probably would have helped with the molasses-feeling.

That’s helpful, because it reminds me that what made the day hard was likely just random chance; snake-eyes on the dice. Which means the next roll is just as likely to be a winner as it was the day before.

Maybe even a tiny bit MORE likely.

Photo Credits:

‘Silhouette Photo of Woman’ by Engin Akyurt from Pexels

The “Real Job”

I’ve picked up a new job. It’s not music-related, at all. It’s menial, and tiring, and the hours are long. But it pays the bills. In short, it’s what others refer to as a “real” job.

Three times a week, I now go to bed at 9pm, wake up at 3am, and drive to the workplace, where I serve customers as a barista from 4-11am.

I then go home, stretch, nap, then work as much as I can on my musical projects before the evening. Which hasn’t been much so far, but I’m adapting – today is already one of the best so far.

You might think this would bother me, but so far at least, it hasn’t. And I think that is almost entirely due to something I love talking about in this blog – my mindset.

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When You Don’t Feel Ready

A few years back, in a dance studio in Toronto, I was introduced to a fantastic tango song by another instructor. “This is great! When are you going to perform it?” I asked.

“Oh no”, she shook her head emphatically, “I need to find the right person to perform it with first.”

Most of us have certain projects we would LOVE to work on, but don’t – they’re so d*mn good, we feel we could ruin them if we rushed in before we have the right resources, skills, etc.

At the same time however, we risk taking this too far, adopting a perfectionist attitude that keeps us from taking on the work we love most. Where do we find the balance?

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Music Composition, and the Levels of Competency

So I recently started putting together a music composition template with Native Instruments, and OH MY GOD is it gonna be good when it’s done.

It’s a little scary frankly, how effortlessly awesome the instruments sound. So good, it could convince some new composer they are better than they actually are (not me though).

That got me thinking about the stages we progress through as we improve our music composition skills.

It’s good to know where you are, honestly. It allows you to take pride in how far you’ve come, with a big spoonful of humble pie for the journey ahead. 

So I decided to apply the Four Stages of Competency (*dun dun dunnnnnn*) to the world of music composition. May it help you define where you are – and maybe even help move you up a rung.

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